Brand: DAR AL TANWEER LIL NASHR
MODEL: 9953582394
Al Halah Al Harejah Lil Madouw K | Aziz Mohammed
AED
49
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There are many things that are "in the eye" and few writers point us to them. Montaser Al-Qaffash is one of these writers, and this group of his deservedly fits this description.
In this new collection of stories we read tales about the ground floor that Muntasir Al-Qaffash sees as part of the house and part of the street at the same time. Residents of the ground floor affect the lives of passers-by on the street if they decide to open their balcony windows or close their balcony windows, and conflict with street children who clap the ball in their walls, so disputes arise and sometimes rare social contact, With their location or location below, they give an opportunity for the imagination of a teenager who lives in a loft in exchange for it to grow by eavesdropping on their comfort spaces. Not only about this, Muntasir Al-Qafash tells, but those who were once in the upper floors and by erecting one of the random bridges, went down to the “sight level” and began to establish relations with their eyes with the bridge crossers, and those who pass us, we bump into them and wonder how we did not see them with their presence exactly “at the level of We looked." It is precisely here that this collection of stories puts itself in the discovery of the usual - or what seems to be repetition - and all the energies of irony and contemplation come out of it.
In this collection, Muntasir Al-Qafash managed to preserve the tension that mixes the reader with the text, the language you read as if the writer was whispering it in your ear with a comfortable smile, and the vivid image of a city as it appears in the diaries of its people and the life of its buildings. Muntasir Al-Qafash was published in three short story collections: "The Fabric of Names" (1989), "The Beds" (1993), and "An Unintended Person" (1999). He has also published three novels, "A Permission to Absence" (1996), "To See Now" (2002), and "A Question of Time" (2008), for which he won the Sawiris Prize for Literature, Senior Writers Branch (2009).
In this new collection of stories we read tales about the ground floor that Muntasir Al-Qaffash sees as part of the house and part of the street at the same time. Residents of the ground floor affect the lives of passers-by on the street if they decide to open their balcony windows or close their balcony windows, and conflict with street children who clap the ball in their walls, so disputes arise and sometimes rare social contact, With their location or location below, they give an opportunity for the imagination of a teenager who lives in a loft in exchange for it to grow by eavesdropping on their comfort spaces. Not only about this, Muntasir Al-Qafash tells, but those who were once in the upper floors and by erecting one of the random bridges, went down to the “sight level” and began to establish relations with their eyes with the bridge crossers, and those who pass us, we bump into them and wonder how we did not see them with their presence exactly “at the level of We looked." It is precisely here that this collection of stories puts itself in the discovery of the usual - or what seems to be repetition - and all the energies of irony and contemplation come out of it.
In this collection, Muntasir Al-Qafash managed to preserve the tension that mixes the reader with the text, the language you read as if the writer was whispering it in your ear with a comfortable smile, and the vivid image of a city as it appears in the diaries of its people and the life of its buildings. Muntasir Al-Qafash was published in three short story collections: "The Fabric of Names" (1989), "The Beds" (1993), and "An Unintended Person" (1999). He has also published three novels, "A Permission to Absence" (1996), "To See Now" (2002), and "A Question of Time" (2008), for which he won the Sawiris Prize for Literature, Senior Writers Branch (2009).
49.0
100.0
200.0
AED
49
There are many things that are "in the eye" and few writers point us to them. Montaser Al-Qaffash is one of these writers, and this group of his deservedly fits this description.
In this new collection of stories we read tales about the ground floor that Muntasir Al-Qaffash sees as part of the house and part of the street at the same time. Residents of the ground floor affect the lives of passers-by on the street if they decide to open their balcony windows or close their balcony windows, and conflict with street children who clap the ball in their walls, so disputes arise and sometimes rare social contact, With their location or location below, they give an opportunity for the imagination of a teenager who lives in a loft in exchange for it to grow by eavesdropping on their comfort spaces. Not only about this, Muntasir Al-Qafash tells, but those who were once in the upper floors and by erecting one of the random bridges, went down to the “sight level” and began to establish relations with their eyes with the bridge crossers, and those who pass us, we bump into them and wonder how we did not see them with their presence exactly “at the level of We looked." It is precisely here that this collection of stories puts itself in the discovery of the usual - or what seems to be repetition - and all the energies of irony and contemplation come out of it.
In this collection, Muntasir Al-Qafash managed to preserve the tension that mixes the reader with the text, the language you read as if the writer was whispering it in your ear with a comfortable smile, and the vivid image of a city as it appears in the diaries of its people and the life of its buildings. Muntasir Al-Qafash was published in three short story collections: "The Fabric of Names" (1989), "The Beds" (1993), and "An Unintended Person" (1999). He has also published three novels, "A Permission to Absence" (1996), "To See Now" (2002), and "A Question of Time" (2008), for which he won the Sawiris Prize for Literature, Senior Writers Branch (2009).
In this new collection of stories we read tales about the ground floor that Muntasir Al-Qaffash sees as part of the house and part of the street at the same time. Residents of the ground floor affect the lives of passers-by on the street if they decide to open their balcony windows or close their balcony windows, and conflict with street children who clap the ball in their walls, so disputes arise and sometimes rare social contact, With their location or location below, they give an opportunity for the imagination of a teenager who lives in a loft in exchange for it to grow by eavesdropping on their comfort spaces. Not only about this, Muntasir Al-Qafash tells, but those who were once in the upper floors and by erecting one of the random bridges, went down to the “sight level” and began to establish relations with their eyes with the bridge crossers, and those who pass us, we bump into them and wonder how we did not see them with their presence exactly “at the level of We looked." It is precisely here that this collection of stories puts itself in the discovery of the usual - or what seems to be repetition - and all the energies of irony and contemplation come out of it.
In this collection, Muntasir Al-Qafash managed to preserve the tension that mixes the reader with the text, the language you read as if the writer was whispering it in your ear with a comfortable smile, and the vivid image of a city as it appears in the diaries of its people and the life of its buildings. Muntasir Al-Qafash was published in three short story collections: "The Fabric of Names" (1989), "The Beds" (1993), and "An Unintended Person" (1999). He has also published three novels, "A Permission to Absence" (1996), "To See Now" (2002), and "A Question of Time" (2008), for which he won the Sawiris Prize for Literature, Senior Writers Branch (2009).
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